When you have a C7 chord, try playing these two triads over them. It has an anomaly - it has both a major and a minor third. In example 2 I am first playing the scale as a 2nd position minor pentatonic. The C altered scale is also enharmonically equivalent to the C Locrian mode with F changed to F♭. Theoretically, I can think of 2 scales where this could come from: The Half-Whole Diminished Scale. Equation 2 (ALT) 1. b9 #9. They are in most cases much less used than the main versions. So, whenever you see a dominant V7 chord to I written within a chord progression you can play an altered scale over the dominant chord. Bb. For this reason, the altered scale is sometimes called the super-Locrian scale or the Locrian flat four scale (Service 1993, 28). I think that using the altered scale is often perceived as “advanced” harmony. We have one straight minor pentatonic scale: Bbm – Bb Db Eb F Ab Bb. Then he shows you the D altered dominant scale, which in addition to the root, third, and flatted seventh uses the flat nine, sharp nine, flatted fifth, and augmented fifth. A G Altered scale consists of G, G#, A#, B, C#, D# and F notes. They remain five note scales albeit altered in some way. For instance, in a G7(b9)sus to Cmin7 progression, a G Phrygian (same key center as Eb major, 3 flats) works well. Eb Altered bb7 Uke scale (H,W,H,W,W,H,WH) on the soprano. All information about Guitar Scale: Eb Altered - Notes: Eb.Fb.Gb.G.A.Cb.Db - Formula: [1,b2,b3,b4,b5,b6,b7]. How to Play the Eb (E-Flat) Altered Dominant Scale on Guitar. I play most of the melody with single notes, except for a few passages where chordsare added. It’s basically any melodic minor scale played from the 7th tone to the 7th tone (… in other words, instead of starting and ending on the first tone of the scale like you’d normally do, you start and end on the 7th tone of the SAME scale. The Solution below shows the Eb melodic minor scale notes, intervals and scale degrees on the piano, treble clef and bass clef.. highest pitch string at the top (unless you've tuned your instrument differently.). Ab. View this scale in: G-Tuning (DGBE) D-Tuning (ADF#B) Slack-key Tuning (gCEG) The altered scale is actually the seventh mode of the melodic minor scale, also called Super Locrian mode. You can alter chord tones and extensions by moving them one semi-tone up or down. I.e., every possible half-step move to the tonic is now available. Watch my lesson about Altered Harmony if you don't get it. Bars 5 … Eb. D Altered. This makes the scale D–Eb–F–F#–Ab–Bb–C–D. Then the theorist comes along and says "OK let's call all those notes the altered scale". The chord most closely associated with this scale is Bm7b5 . This means that it comprises the three irreducibly essential tones that define a dominant seventh chord, which are root, major third, and minor seventh and that all other chord tones have been altered. Altered pentatonic: B Eb F G Bb B. SYNTHETIC Scales: Scale Name: Spelling: Major Scale Reference: C Whole Tone C,D,E,F#,G#,Bb = 1,2,3,#11,#5,b7 C Diminished C,D,Eb,F,Gb,Ab,Bbb,B = 1,2,b3,4,b5,b6,bb7,7 First, let’s take a crash course in Altered Chords. The altered scale is the 7th mode of the melodic minor scale, which means that it is like playing Ab melodic minor starting from the note G. The altered scale is used to solo over dominant 7th chords, both in major and minor keys. The Altered Dominant Scale. On the seventh note (on the leading tone): diminished chord (e.g. VI. Looking for major triads, we find only two - F# major (F# A# C#) and Ab major (Ab, C, Eb). The lines When you make lines over a D7 altered there are two triads that can work really well (there are more of course, but for this lesson I am mostly using these two): you’ve probably played some and I’m certain you’ve heard of them.. but what exactly are we talking about here? G Altered = G-Ab-Bb-B-Db-Eb-F-G . These are: The altered forms of some of the non-essential tones coincide (augmented eleventh with diminished fifth and augmented fifth with minor thirteenth) meaning those scale degrees are enharmonically identical and have multiple potential spellings. Usually, an altered scale is used on a #9 scale, but an altered scale has a b5 and a #5, but no natural 5. So they want to add Db>C, D#>E, Ab>G, as well as Bb>A and Eb>D, because the 6th and 9th are good consonant extensions on I. 3. b5 #5. b7. Four-note chords on the altered scale. You have to skip over two scale members in an Altered Dominant scale to get from the root to the third of the dominant chord because there are two ninths, which means a C Altered Dominant scale has two D's, spelled Db and D# (not Eb). The Altered Dominant Scale, Part 1 In this lesson, Chad takes a little digression from the path he’s been taking, with a lesson on the altered dominant scale, which is used in modern and mainstream jazz. Melodic Minor as an “Altered” Scale. The scales we need for this lesson are a G major scale for the Am7 and Gmaj7 chords and Eb melodic minor for the D altered scale. Let us take a look at a C altered scale: C, Db, Eb, E, F#, G#, Bb. The G altered scale contains the notes G Ab Bb B Db Eb F In example 3 I have taken each of these notes and let it resolve to a note on a C major chord, so Ab resolves to G, Eb to E or D etc etc. Cb Altered. Now that we know the notes of the E flat minor scale (natural), we now take a look at the E flat harmonic minor scale. The lines. The most obvious example is as IV chord (e.g. Find guitar scales using graphic interface. Okay, I've said enough. This scale has existed for a long time as the 7th mode of melodic minor. To find the appropriate notes for an altered scale, simply go up a half step from the root of the chord and play the ascending form of the melodic minor scale (a major scale with a flatted third). Free guitar scales for beginner or advanced guitarists. SYNTHETIC Scales: Scale Name: Spelling: Major Scale Reference: C Whole Tone C,D,E,F#,G#,Bb = 1,2,3,#11,#5,b7 C Diminished C,D,Eb,F,Gb,Ab,Bbb,B = 1,2,b3,4,b5,b6,bb7,7 The altered scale is also known as the Pomeroy scale after Herb Pomeroy (Bahha and Rawlins 2005, 33; Miller 1996, 35), the Ravel scale after Maurice Ravel, and the diminished whole tone scale due to its resemblance to the lower part of the diminished scale and the upper part of the whole tone scale (Haerle 1975, 15). Formula: 1-2-3-#4-5-6-7-8 (Fmaj7 or Cmaj7#11) The Lydian Mode works well over any maj7#4, maj7b5, or maj7#11 chord. Lydian Major . Altered scales are used predominantly by jazz musicians to produce interesting tensions while improvising over dominant seventh chords. You learned, step-by-step, how to play the altered scale. G7 sharp 5, of C7 flat 9, etc.. Use the altered scale with the same root note as the dominant chord, e.g C altered scale over a C7 sharp 5 chord, or an F altered scale over an F7 sharp 9. It’s the 7th mode of melodic minor, just as Locrian is the 7th mode of the major scale. It works great over an altered chord (7#9b13, or 7alt), which implies 7(b9#9#11b13). G7 sharp 5, of C7 flat 9, etc. 1. b2. This melodic minor scale is based on the natural minor scale with the same key / tonic note - Eb natural minor scale. If you play it in a C major context you can probably hear it. E-flat melodic minor scale. selected scale highlighted. Since the natural minor key is itself on the Circle of 5ths - Eb minor on circle of 5ths, this means that this is a commonly used melodic minor scale key. It gives it a … For example, Altered Locrian b4 that is identical to the Locrian Scale except for the flatted fourth. What I mostly have heard about the altered scale is how people keep telling me it is difficult and probably the name makes it stand out. 1. Hence why it’s called the altered scale. Now go practice. Jazz Clinic / Page 3 of 3 Updated Tuesday, October 15, 2019. A C Altered Dominant scale also has an E, not an Fb. The Diminished-wholetone Scale. Altered Scale in B is a minor scale with flat second, flat fourth and flat fifth intervals. How to Play the Eb (E-Flat) Altered Dominant Scale on Guitar. To play a harmonic minor scale, you simply raise the seventh note of the natural minor scale by a half-step as you go up and down the scale. Here is how I usually play All Blues’ theme. The super-Locrian scale (enharmonically identical to the altered scale) is obtained by flattening the fourth note of the diatonic Locrian mode: Another way to obtain the altered scale is by thinking of it as the 7th mode of the melodic minor scale. It gives a jazzy dissonant sound to dominant chords. Try playing example 1 to establish the C major context in your ear. The only thing that is tricky is the function it has most of the time: To sound out of place. Detailed information for the scale D#/Eb major. And the altered scale is a really important scale to practice if you want to create a jazz sound when playing on these 7th chords. Basically the root note is the only note not altered in this scale. The essential tones for a dominant chord are the root, the major third, and the minor seventh. This tells us that it is a part of the Ab melodic minor/ G Altered scale and we can also see that it is a good fit for the G7 with an F and a B in there. Backing Track Listen & Play Along The Lesson steps then describe how to identify the E-flat melodic minor scale note interval positions, choose the note names and scale degree names.. For a quick summary of this topic, have a look at Melodic minor scale. The scale is also identical to the seventh mode of the Melodic Minor (e.g. Altered Scales work over chords built on the 5th note in major keys because they contain the common chromatic passing tones used as alterations. The chord most closely associated with this scale is Bm7b5 . chords that sound good with an Eb Altered scale, http://www.outsideshore.com/music/educational-materials/primer/melodic-minor-harmony/#AlteredScale, http://en.wikipedia.org/wiki/Altered_scale, http://en.wikipedia.org/wiki/Musical_mode#Other_types_of_modes. The B altered scale serves as a passing scale to the 3 chord on the key of C.. Bass LH RH B A Eb G B altered scale Altered; Other Scales. A altered Eb F G ... Gb Ab Bbb=A F altered Cb=B Db Eb F 2. C# Altered. The following are seventh chords built on the notes of the altered scale. Title: All 12 Altered Scales Author: Dudu-Yzhaki Subject: Piano-Scales Keywords: jazz scale, jazz scales, piano scales … Don't know what a scale is? So, the theory for the altered scale is 1, b9, 3rd, #9, #11, b13, and b7. Altered scales are often used over altered seventh chords, e.g. For example, "C7alt" supplants "C7♯5♭9♯9♯11", "C7−5+5−9+9", "Caug7−9+9+11", etc. Show me chords that sound good with an Eb Altered scale. See the diagram: PDF: 7th Modes Ab Major and Mel Minor. Space and melodic phrasing is demonstrated in the first four bars. Harmonic Minor; Phrygian Dominant; Dorian (alternate) Mixolydian (alternate) Chord Progressions. It's called an Altered Dominant scale because it's a Dominant scale that includes the altered versions of all of the non-essential tones of a dominant chord. Altered Scale in B is a minor scale with flat second, flat fourth and flat fifth intervals. I then give some of the possible chords that this new scale will work over. C Altered. The 1st construction, using the major scale, starts at Lesson 3.. pattern for playing the selected scale in a different position on the fretboard. Connecting to the basic G Altered Scale. Hit "Go" The altered scale is actually the 7th mode of melodic minor. Super Locrian is sometimes just called Altered Scale (but it is not a great name since there are more altered scales), while five of seven notes have been altered in comparison to the normal notes in the major keys. b6. Adjust the "start fret" option to further highlight a finger Notes, Intervals and relations to other scales in the database. So the altered scale could be used on an E7b5 chord. Scale - Altered 1,b2,b3,b4,b5,b6,b7 FULL-th pattern Root note - D#/Eb Guitar Tuning: The Altered Scale is actually a mode of melodic minor. The Altered scale is also known by the following names: Diminished Whole Tone, Super Locrian. The Altered Scale etude showcases three different ways of using the Altered Scale and gradually becomes more difficult. The Pentatonic scale is one of the first things we learn. CLICK HERE TO SIGN UP NOW! F major in the key of C), but the Lydian mode can also work well over a I chord. The scales we need for this lesson are a G major scale for the Am7 and Gmaj7 chords and Eb melodic minor for the D altered scale. This scale has many names, including “Super-Locrian,” “Diminished-Whole-Tone” or even the “Dim-Wit” scale. The natural forms of the non-essential tones are not present in the scale. The altered scale (often abbreviated to “C7alt.”) can be played over dominant 7 chords, because it contains a major 3rd and minor 7. The altered scale is the 7th mode of the melodic minor scale, also called the Superlocrian scale. The altered scale is made by the sequence: The abbreviation "alt" (for "altered") used in chord symbols enhances readability by reducing the number of characters otherwise needed to define the chord and avoids the confusion of multiple equivalent complex names. Now that you know which Altered Scale to use over which chord, let’s check out the Etude. F, Gb, G#, A, B, C# Eb, F Nomenclature-wise, I prefer this spelling due to lowered/raised ninths, raised eleventh, and the raised fifth (as opposed to a lowered thirteenth [Db]) encountered in the F alt 7 chord. Altered Pentatonic Scales . b3. Altered scales are based on the same principles as altered chords. But, as with most things, it’s easy when you understand it. VI. So, the theory for the altered scale is 1, b9, 3rd, #9, #11, b13, and b7. SECTION o APPLIED JAZZ CLINIC + LESSON PLAN (21 PAGES) The altered chord is a dominant th… b5. Super Locrian is sometimes just called Altered Scale (but it is not a great name since there are more altered scales), while five of seven notes have been altered in comparison to the normal notes in the major keys. Altered Dominants are meant to be pulled out of the hat to sound out side for a bit and then resolve back to the surroundings at the end of the cadence. So, here’s my very quick guide to using the altered scale on bass. It's a Locrian Mode with a flat 4 - but the second Eqn above makes sense of it, it's the notes available in an altered dominant chord, laid out in a scale. The Superlocrian Scale. Altered scales are used predominantly by jazz musicians to produce interesting tensions while improvising over dominant seventh chords. The Solution below shows the Bb blues scale, on the piano, treble clef and bass clef.. There are seven ways to alter a basic major pentatonic scale. 1. Chords that sound good with Eb Altered scale(s) JGuitar's harmonizer allows you to easily identify chords and scales that will sound good when played together. A Search Engine for Musical Scales. This scale is also known as: The 7th mode of the C Melodic Minor Scale. Take a C altered scale - C, Db, Eb, E, F#, Ab, Bb. We don’t improvise scales; we improvise melodies! (And yes you could add A#>B for good measure if you want.) 1,2 In young children, ALOC may manifest as fussiness or irritability. The Altered Dominant Scale. To be clear, scales are good for note choices to help make melodies, but we aren’t just playing scales when we improvise! The Altered scale is also known by the following names: Diminished Whole Tone, Super Locrian. In jazz, the altered scale or altered dominant scale is a seven-note scale that is a dominant scale where all non-essential tones have been altered. The Superlocrian Scale. C. Equation. Standard Tuning (gCEA). And since it is something we are very familiar with and we can use this to change it a bit and use it for other chord sounds like Altered… In jazz, the altered scale or altered dominant scale is a seven-note scale that is a dominant scale where all non-essential tones have been altered. Since the key of Bb appears on the Circle of fifths diagram as both a major and minor key, the Lesson steps explain both ways of constructing this blues scale for this key:. Altered scales include one or more notes that is lowered or raised compared to its main variation. So, whenever you see a dominant V7 chord to I written within a chord progression you can play an altered scale over the dominant chord. B-flat blues scale. Major Diatonic Chords; Major Parallel Modes; Major II – V – I ; Minor II – V – I; Circle Of Fifths; Melodic Minor Modes. Eb Altered bb7 Uke scale (H,W,H,W,W,H,WH) on the soprano. The notes that are contained in that scale are: F Gb Ab Bbb Cb Db Eb In jazz and progressive rock, the altered scale or altered dominant scale is a heptatonic or 7 note scale that is a dominant scale where all non-essential tones have been altered. Use the form below to select one or more scales, hit "Go", and the harmonizer will tell you what chords will sound good when played with the selected scales. Sign up to access all practice material. Learning The Altered Dom7th Pentatonic Scale. Before print or download please save it first. So, G Altered comes from Ab Melodic Minor…that means G Altered is Ab Melodic Minor starting on G! Or for any altered key - play the #11 and #5 triads. (1, b9, #9, 3, #11, b13, b7, 8) (you can also have the 5th, although it’s a “secret” hidden note that isn’t generally played in the scale) H W H W W W W. The Altered Scale is … Altered scales are based on the same principles as altered chords. Scale diagrams can also be labeled with either letters or scale degrees. Adim = A, C, Eb). The scale is also identical to the seventh mode of the Melodic Minor (e.g. If you made any changes to your settings. If you start this scale on the Eb, the second step, it’s the same as the Eb melodic minor scale Eb–F–Gb–Ab–Bb–C–D–Eb. Show me chords that sound good with an Eb Altered scale. Altered Pentatonic. The E-flat melodic minor scale has 4 flats. I call this a shortcut for a reason. This means that it comprises the three irreducibly essential tones that define a dominant seventh chord, which are root, major third, and minor seventh and that all other chord tones have been altered. On the first note: half-diminished seventh chord (minor seventh chord with a flat fifth, e.g. Part of the series: How to Play Scales on the Guitar 5. Important: The fretboard is shown with the lowest pitch string at the bottom and the So, on G7, you would play Ab melodic minor starting on G, and voila, you’re playing G altered. It is also enharmonically the seventh mode of the ascending melodic minor scale. However, the more common name for it is the altered scale. Standard Tuning (gCEA). Altered scales are often used over altered seventh chords, e.g. Altered scales most commonly appear over dominant seventh chords that resolve to the root. Eb Altered for piano. JGuitar's scale calculator will draw scale diagrams showing the fretboard with notes in the Use the D half-whole diminished scale (aka dominant diminished scale) on D7#9 and the Eb half-whole diminished scale on Eb7#9. That’s what I am using here in this next example. All pitches are lowered except C in the C altered dominant scale of C Db Eb Fb Gb Ab Bb. This tells us that it is a part of the Ab melodic minor/ G Altered scale and we can also see that it is a good fit for the G7 with an F and a B in there. This is written below in musical notation with the essential chord tones coloured black and the non-essential altered chord tones coloured red. When you make lines over a D7 altered there are two triads that can work really well (there are more of course, but for this lesson I am mostly using these two): Eb minor: Eb,Gb,Bb which related to D becomes b9, 3rd, b13. Fb. How does this help? G Altered is identical to the 7th mode of Ab Melodic). E Flat Harmonic Minor Scale. See diagrams at Standard Guitar. 108.185.42.185 05:15, 27 May 2013 (UTC) Altered pentatonic: B Eb F G Bb B. G Altered is identical to the 7th mode of Ab Melodic). For example, Altered Locrian b4 that is identical to the Locrian Scale except for the flatted fourth. Produce interesting tensions while improvising over dominant seventh chords melodic minor as Locrian the. 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Lesson 3 Mel minor ALOC may manifest as fussiness or irritability ninth, a perfect fifth e.g... Jazz using things about music you already know … jazz clinician mr. christopher burnett conn-selmer artist + www.burnettpublishing.com! Scale notes eb altered scale intervals and relations to other scales in the database for example, altered Locrian that...